Paul Verhoeven's ultraviolet cult classic, "RoboCop," is flashy and grandiloquent for a reason. It is a pointed critique of 1980s America and its obsession with military-coded machismo, along with the ...

Mike Wiza says he has the perfect location for that long-anticipated statue of RoboCop, which remains carefully wrapped and horizontal in an Eastern Market storeroom. Unfortunately, it's in Stevens ...